Told you I wanted to--and would--write more.
Tonight I went to audition at Renaissance for "Barefoot in the Park," which is probably my favorite Simon show. Anyway, I was only going because a friend of mine told me I should, and asked me to so that he knew "there would be at least one talented person to read with," so I went. The show runs late August and September 1st, and I already went in planning not to be cast simply because I think I look pretty young, and usually, it seems like community theatre has enough age-appropriate, moderately talented people to suffice, but I also went in knowing that I would be driving up to Boston on the day of the 1st, which would be closing night of the show.
I rocked the audition. It's a part I've always liked and, as coincidence would have it, a part I spent a little time working on in freshman acting I. Stephen was my scene partner, and tonight we actually READ the middle to the end of the scene he and I did for the class. I read a few times, with a few people who weren't really top of the ladder, but afterwards, the director's wife called me back to talk about my scheduling conflict.
I think they really, really, really wanted me for the part. The director's wife kept saying, "You just read so damn well!" and "Is there no possible way you can be in town the 1st?" and "Well you HAVE to come audition next summer!"
It's a really, really, really annoying scenario. It's a lead role, a part that I like, and a part that I'd do well. It's the first time I've ever really been considered for--much less practically begged to do--an "older" part (and I use older in the softest terms; I'm 18, and Corrie is probably early 20s).
I came home and yelled at my parents to get the frustration out, but, to my credit, I did explain why I was yelling and why I was frustrated before I started. I think they understood. I hate not being able to find a way around this predicament. As I've told everyone thousands of times, I love doing anything in the theatre - bit parts, chorus parts, anything. For me, turning down a lead is like agreeing to have a limb amputated for no reason. Ok, ok, so there is a good reason, I just don't want to admit that. A bit of my mom's comfort was that, "There'll be plenty of parts for you to accept in the future," and I guess she's right. I just feel like if I turn something down, it'll be something that, when I'm poor and living in a big city, auditioning daily between part-time jobs, I'll regret not having done.
I guess, on the other hand, it's good that I feel this miserable about something so insignificant. It means I'm passionate to the point of lunacy, right?